'My Children Would Never Pay Money For Their Tickets': Abhijeet Bhattacharya Takes Dog At Diljit Dosanjh, Karan Aujla

Veteran singer Abhijeet Bhattacharya recently took a dig at singers Diljit Dosanjh and Karan Aujla, criticising the style of their concerts. In an interview with Times NowAbhijeet remarked that their performances focus too much on dancing and lack the essence of a true concert.

Sharing his perspective, Abhijeet said, “Auditoriums are full during my concerts. Ask Diljit and Karan to hold shows in Kolhapur; no one will buy tickets. Just because some people don’t know their names doesn’t mean they are backward. Their concert tickets are lying around in my house, and my kids distribute them to others. My children would never pay money for their tickets.”

The singer emphasized that his concerts are about the music, where audiences sit, enjoy, and applaud his performance rather than being distracted by elaborate dance routines. “When I perform, people sit and clap. That is what a concert is supposed to be,” he added, contrasting his approach with the high-energy, dance-heavy concerts of contemporary artists like Diljit and Karan.

Abhijeet, known for his bold statements, has been in the news recently for his candid opinions. Earlier, he expressed disappointment over not receiving due credit for the song “Woh Ladki Jo,” which was featured as a mashup during Dua Lipa’s Levitating performance. He claimed that only Shah Rukh Khan, who appeared in the song from the movie Baadshahwas credited, leaving him overlooked.

This isn’t the first time Abhijeet has voiced his strong opinions on the music industry and its practices. His recent remarks have sparked a debate about the evolving nature of concerts and the importance of balancing performance styles with musical authenticity.

While fans of Diljit Dosanjh and Karan Aujla may have their own perspective on the matter, Abhijeet’s comments highlight the contrasting preferences of audiences when it comes to live performances. Whether rooted in nostalgia or a genuine critique of modern trends, his views reflect the ongoing conversation about the changing landscape of the music industry.