Director Murali Kanth deserves appreciation for choosing such a sensitive subject for his debut. He presents heavy themes like caste discrimination and honour killing by balancing seriousness with subtle humour, and conveys the gravity of the issue with clarity. Usually, caste discrimination is shown between upper and lower castes, but here the director adds an interesting twist by portraying how even an upper-caste individual can become a victim, highlighting the emotional and social consequences.
The first half progresses at a steady pace, with Sivaji’s death bringing villagers together. In a small village, a death becomes a major event, and the sarpanch immediately takes charge. Even during such tense moments, the director injects dark humour. Despite being the sarpanchNavdeep’s character often finds himself powerless, as he must obey the upper-caste leaders. The second half takes a more serious and emotional turn. The songs and romantic portions in the first half feel like a drag, but once Sivaji’s court scene begins, the film becomes gripping. Sivaji’s realisation and decision to reveal the truth in court is one of the film’s best moments. As the film approaches its climax, emotions intensify for every character. Vishnu’s journey back to the village to perform his father’s last rites, and his eventual realisation, stand out strongly. The climax is exceptionally well executed, driven by impactful dialogues.
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