When it comes to the performances, Shraddha Srinath brings depth to an otherwise underwritten role, leaving you wishing for more backstory. Meenaakshi Chaudhary’s Priya feels crucial but underutilised, adding little beyond her scenes with Rocky. Jakes Bejoy’s music is hit-or-miss but does add some funky flair that complements the film’s offbeat vibe. But the most exciting technical work in the film are the cinematography by Manojh Reddy and editing by Anwar Ali. The editing, with its quirky match cuts and screen splits, keeps you engaged even when the plot falters.
Vishwak Sen may not be a strong performer, but he knows what he is doing. In the final scene, he cheekily asks the villain, “Just a guy from Malakpet executing a plan like this, you never expected right?” It’s a nod not just to the antagonist but to the audience, who might have underestimated him too. We don’t expect him to deliver high because of his loud statements but most times, he comes around with films with a surprising element. Vishwak Sen convinces you that he is just a loudspeaking youngster but there’s always a stronger knack for craft and writing. His choices in cinema might end up forming one of the most diverse filmographies for a Telugu actor. It’s delightful to witness a young actor who knows his guns and how to use them well.
What’s fascinating about Mechanic Rocky is its self-awareness. The film knows it’s treading risky ground, blending genres and juggling tones. No wonder, this film’s marketing strategy was compared to Vijay Sethupathi’s Maharaja. But does it pay off? Mostly, yes. The film sets your expectations so low with its initial silliness that when the twist lands, it feels like a masterstroke. However, this reliance on twists is a double-edged sword. Without them, the film offers little beyond a few clever moments and technical finesse. It’s a trick that works best when you go in expecting very little.
Mechanic Rocky is an exercise in patience, but if you stick with it, the reward is a surprisingly clever film that defies expectations. It’s a risky venture that almost overstays its welcome but redeems itself in the final act. Not every twist justifies the journey, but when it does, you leave the theatre feeling grateful for the ride.
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