‘Rajesh Khanna was a spoiled child’, Moushumi Chatterjee spoke on the actor’s loneliness; ‘This is the result of their deeds…’
Recently, veteran actress Moushumi Chatterjee made some shocking revelations about Rajesh Khanna. Moushumi Chatterjee revealed some bitter truth and called him ‘a spoiled child’.
Rajesh Khanna is often called ‘the first superstar of Hindi cinema’. However, many film personalities have given similar statements about his behavior when he was at the peak of success.
Moushumi Chatterjee’s comment on Rajesh Khanna
In an exclusive conversation with NDTV, Moushumi Chatterjee recalled her days with the superstar, saying, “He was a spoiled child. His success was always in his head.” The story of Rajesh Khanna’s fall from stardom, which reached his peak in the mid-1970s, goes much further than this. At that time, Amitabh Bachchan was making his place in the crowd, while romantic hero Rajesh Khanna was struggling with the changing attitude of the audience, which inspired him to completely suppress this feeling with the help of despair, loneliness and alcohol. When Moushumi Chatterjee was asked on this, she said, “No, it is all karma. The way you live your life, the way you pretend to be what you are not, and the way you react to all relationships.”
About Rajesh Khanna
Rajesh Khanna started his film career in 1966 with the film Aakhri Khat directed by Chetan Anand, followed by Raaz (1967) directed by Ravindra Dave. The year 1969 proved to be a decisive year for Khanna and from this year he became a superstar. It started with Shakti Samanta’s romantic film Aradhana, in which Sharmila Tagore acted. This film proved to be a huge hit at the box office and Khanna became famous overnight. After this he worked in many superhit films and became the country’s first superstar. At that time, the pairing of Rajesh Khanna and Mumtaz was very much liked. Let us tell you that Moushumi Chatterjee and Rajesh Khanna have worked together in many films. Some of their notable films include Prem Bandhan (1979) and Anurag (1972).
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